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Our former credits: Julie Chapelle, Lead Lighting on the astonishing Roald Dahl adaptation The Twits
17/10/2025- Our alumni in the credits
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Our former credits: Christopher Grao, Artistic Director and CG Supervisor for Hopper and the Secret of the Groundhog
15/10/2025- Our alumni in the credits
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Behind the scenes at Cartagene, a stunningly realistic cross-generational portrait by ESMA
14/10/2025- Weekly behind the scenes
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Behind the scenes of Core Defenders, an addictive tower defence co-op from ESMA
13/10/2025- Weekly behind the scenes
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Rémy Van Craynest, 3D modeller: from French training to Japanese studios
10/10/2025- Alumni interviews
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Animation conference: a French industry at a crossroads
09/10/2025- Rencontres professionnelles
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The guide to becoming a video game Art Director
06/10/2025- Thematic articles
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At Terminus, curiosity is the driving force behind creation
03/10/2025- Pros interviews
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Blender 3d vs Maya: 3D software comparison
02/10/2025- Thematic articles
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Le Chevalier Cape Nuage: A human adventure as much as a fantasy tale
01/10/2025- Weekly behind the scenes
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How much does it cost to create a video game?
29/09/2025- Thematic articles
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“Don’t be afraid, be daring”: advice from Joe Azar, ESMA 2023 graduate and Production Coordinator in Toulouse for TAT
26/09/2025- Alumni interviews
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Building your network, understanding the sector: ESMA students at Cartoon Forum 2025
25/09/2025- Rencontres professionnelles
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Flipou: go behind the scenes of this sweet ESMA short film
24/09/2025- Weekly behind the scenes
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The guide to becoming a 3D project manager
22/09/2025- Thematic articles
The latest
selections and awards
Spotlight onTheanimated film Trash: on its way to the Oscars!
Promotion 2024
The latest
ESMA projects
The portraits of
our alumni
They recruited our talent
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